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Publications  Citations about Wendy Ewald and LTP's Work Links  Publications Literacy Through Photography Who Am I? Who Are We? Photography, Writing, and Reading Together (working title), LTP curriculum book, projected for 2006. The Best Part of Me: Children Talk About Their Bodies in Pictures and Words, Little, Brown and Company, 2002. I Wanna Take Me a Picture: Teaching Photography and Writing to Children, Center for Documentary Studies and Beacon Press, 2001. “Artists in the Classroom: Ten Collaborative Projects,” Center for Documentary Studies, 1998. Wendy Ewald American Alphabets, Scalo, 2005. In Peace and Harmony: Carver Portraits, Hand Workshop, 2005. Secret Games: Collaborative Works with Children, 1969-1999, Scalo in association with Addison Gallery of American Art, Center for Documentary Studies, and Fotomuseum Winterthur, 2000. I Dreamed I Had a Girl in My Pocket: The Story of an Indian Village, New York, Center for Documentary Studies and W.W. Norton, 1996. Magic Eyes: Scenes from an Andean Girlhood, Seattle, WA: Bay Press, 1992. Portraits and Dreams: Photographs and Stories by Children of the Appalachians, New York: Writers and Readers Publications Inc., 1985. (out of print) Retrato de un Pueblo, Bogota, Colombia: Museo de Arte Moderno, 1983. (out of print) Appalachian Women: Three Generations, Whitesburg, KY: Appalshop,1981. (out of print) Appalachia: A Self-Portrait, Frankfort, KY: Gnomon Press for Appalshop, 1979. (out of print) Wendy Ewald’s photographs have also appeared in DoubleTake, Psychology Today, Aperture, Art in America, Harper's, Creative Camera, and Time/Life magazines. Citations about Wendy Ewald and LTP's Work “A Child’s View.” New York Times, 17 July 1993, op-ed: 11. Art in America, July 1986: 127. Baker, Kenneth. “Rescuing the Lessons of History.” San Francisco Chronicle, 29 March 2000: E1, E5. Ballerini, Julia. “Photography as a Charitable Weapon: Poor Kids and Self-Representation.” Radical History Review 69 (1997): 160-188. Berger, Maurice. “Kids.” White Lies, 207-212 Bermudez, Melissa. “Class Act.” Currents, April 1992: 7. Bonetti, David. “Jewish Museum Exhibit Uses Archives as Fodder.” San Francisco Examiner, 7 April 2000, Friday evening edition. Boyd, Virgina. “Through a Child’s Eye.” about... time, May 1994: 16-17. Brewington, Kelly. “Students Share Lives Through Camera Lens.” Durham Herald-Sun. Chen, Howard. “Black Self/ White Self” Raleigh News and Observer, 5 July 1996, Durham edition: 1D, 3D. Cheng, Vicki. “Shutter Opens Students’ World.” Raleigh News and Observer, 7 June 2000: 1B, 5B. “Children of Different Lands Record Lives.” Carolinian, 13 April 1993. Eden, Rebecca. “Jordan Students Say 500 Years Enough of World Map Distortion.” Durham Herald-Sun, 9 April 2001: D1. “Exhibit Combines Kids’ Photos from Durham and South Africa.” Durham Herald-Sun, 4 April 1993: E6. Ewald, Wendy. “Black Self/ White Self.” DoubleTake Magazine, Summer 1996: 54-66. Ewald, Wendy. “Retrato de un Pueblo.” Aperture: Cultures in Transition. Griffin, Jennifer. “Through the Eyes of a Child.” Weekly Mail, 4 December 1992: 35. Hamilton, William. “Life Through Childhood’s Lens.” New York Times, 12 October 2000: F1, F11. Holliday, Taylor. “Children’s Photos at Whitney Biennial.” Wall Street Journal, 14 May 1997. Isaacson, Maureen. “Change of Focus.” Sunday Star, 13 December 1992: 4. Johnson, Ken. “Images of Innocence.” New York Times, 4 April 2003. Kimmelman, Michael. “When Artists Are Asked to Dress Up Modern Jewish History.” New York Times, 26 February 1999: B33, B40. Kurtz, Michelle. “Pictures Worth a Magazine of Words.” Raleigh News and Observer, 27 November 1997: 4B. Lewis, Hunter. “Picture-perfect Teaching Tool for Children.” Durham Herald-Sun, 26 November 2001. Lilson, Ben. “Noticing Things.” Michaels, Walter Benn. “Autobiography of an Ex-White Man.” Transition 73/74 (1998): 4-25. Powell, Ivor. “First Look at the Pictures.” Vyre Weekblad, December/January 1993. Prose, Francine. “Auschwitz: Artists’ Visions.” Wall Street Journal, 8 March 1999. Prose, Francine. “Dreams.” O, April 2001: 168-173, 222. Reale, Robin. “Photography Helps Cut Language Barriers.” Durham Herald-Sun, 16 March 1998: B3. Stainburn, Samantha. “Photo Realism.” Teacher, October 2001: 22-29. Sterling, Greg. “Exhibit’s Unsettling Images Force Us to Witness Suffering and Relief.” Jewish Bulletin of Northern California, 14 April 2000. Twardy, Chuck. “Eyes Wide Open.” Raleigh News and Observer, 7 April 1993: 1D, 9D. Wade-Hall, Elizabeth. “Photography Project No Shot in the Dark.” Durham Herald-Sun, 8 August 1994: B1. Waggoner, Martha. “Hope, Truth, and Pain.” Kalamazoo Gazette, 1 September 1996. Watts, Kathy. “Program Uses Photography to Teach Durham Students.” Durham Herald- Sun, 9 February 2002. “Wendy Ewald: Portraits and Dreams: The Exhibition.” Carolina Times, 3 April 1993: 4. Yarbrough, Michael. “Photojournalist Visiting Schools.” Durham Herald-Sun, 5 May 1990: 1A. Links Addison Gallery of Art, Secret Games Amy Gerber, An Interview with Wendy Ewald Center for Documentary Studies, Three Contemporary Artists in the Classroom Comprehensive Web site spotlighting Wendy Ewald’s work, established by the Doreen B. Townsend Center for the Humanities and the Institute of International Studies at the University of California at Berkeley Corcoran Museum of Art, Past Exhibitions Durham Art Guild, Inc. Contemporary Artists in the Classroom: Collaborative Work with Durham Students Independent Weekly, “Dreams and Premonitions: The Haunting Collaborations of Wendy Ewald” Independent Weekly, Letters to the World In Peace and Harmony: Carver Portraits Kemper Museum of Contemporary Art, Past Exhibitions, Secret Games North Texas Institute for Educators on the Visual Arts Newsletter Online NewsHour, “Portrait of a Photographer” Queens Museum of Art, Exhibitions & Artists, Secret Games Rhode Island School of Design, Museum Exhibitions Secret Games, Antioch Forum, Spring 2004 Style Weekly, “Faces of Carver” W.W. Norton & Company, Stories and Photographs by Wendy Ewald and the Children of Vichya, India Yossi Milo Gallery: Wendy Ewald banner image: Photograph by Salvador Gómez Jiménez. From Secret Games: Collaborative Works with Children, 1969–1999 by Wendy Ewald. top |
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