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October
11December 14
Public Reception: October 23, 68 p.m., Artist's Talk: 7 p.m.
Mike Smiths
landscape photographs explore remote parts of rural Appalachia, depicting
the isolation and interactions of the mountain landscape and the people
who make their lives there. Eschewing "housing developments and their
accompanying supercenters," which look like "any other place
in America," Smith finds strength in the individuals who, in his
eyes, resist homogenization of their lives and communities. "The
lack of change in spite of so many influences is to me evidence of an
unspoken, collective will. Thats what I try to photograph."
Born in Heidelberg, Germany, in 1951 to a military family, Smith grew
up in and around Boston. He enlisted in the Army during the Vietnam War,
and began to photograph his surroundings, including his friends and the
land and people of Vietnam. In 1981, after completing a BFA at the Massachusetts
College of Art and an MFA at the Yale University School of Art, Smith
moved to Johnson City, Tennessee, where he found an Appalachian community
that complicated his understanding of Southern culture. "My preconceptions
were entirely wrong," says Smith. "The mountain culture is distinct
from the Deep South, with a different set of endeavors. Theres nothing
large, no agribusiness. Its family farming, small crops. The mountains
have always been a haven for people who wanted to get away. They have
an independence in their thinking. They understand the solitary nature
of life."
Smiths landscapes are fundamentally bound to the individuals whose
lives have left their mark within the frame of the image. "Theres
not a pure landscape among them," says Smith. "Each one reflects
something about the people who own that land."
North Carolina writer Lee Smith (no relation to the photographer) writes
in an essay about the photographs: "Smith specializes in ghost landscapes.
Always, we find traces of people. He loves weeds, brush, and junk of all
kinds in various stages of decay. These structures dont mar the
landscapethey are the landscape." Commenting on his insider/outsider
status in the community, Lee Smith writes, "Being not from
around here himself, Mike Smith can still see his beloved east Tennessee
landscape with the eye of a respectful stranger, yet his twenty-year residency
affords him a kind of privileged double vision. If he is not from this
land, he is certainly of it."
Exploring the region near his home on his motorcycle, Smith loses himself
in a landscape that has held his attention for more than two decades.
His commitment to his work is centered in "a desire to know the place.
Most of these pictures were taken ten miles from my house, the results
of many visits to the same placestwenty years of traveling the same
roads in many seasons.
I go all over the place because I love getting
lost. I just want to know how to get home at the end of the day. I dont
want to know anything else."
"You have to go pretty far up into the hills to find what Im
looking for, places with wonderful names like Lick Skillet and Troublesome
Hollow Road," says Smith. "Its a purely personal response
that encompasses a range of emotions, including humor and mystery. Im
trying to describeartistically, visuallywhat its like
to live in southern Appalachia today."
Mike Smith: Color Photographs of East Tennessee is composed of thirty-three
30x40 and 20x24 color prints. Smith has shown his work in numerous galleries
and museums, with solo shows at galleries in New York and Chicago and
group shows at the Whitney Museum of American Art and the Art Institute
of Chicago. Smiths photographs are held in the collections of the
Metropolitan Museum of Art, the Museum of Modern Art, the San Francisco
Museum of Modern Art, the Houston Museum of Fine Art, and the Library
of Congress, among other places. He directs the photography program at
East Tennessee State University in Johnson City, where he has taught since
1981.
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