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North Carolina Folklore Society
Special CDS Events
March 30
Held in conjunction with the North Carolina
Folklore Society’s annual conference at the Center for Documentary
Studies, special CDS events on Friday, March 30, include an afternoon
workshop on digital documentary equipment followed by a Docudropby4fun
happy hour and two Fresh Docs film presentations.
Documenting Digital: A Workshop
for Folklorists and Others
Liz Lindsey, April Walton, and others
What’s the difference between a scratchy, weak recording that
is only useful for transcription and a quality audio recording that
can be heard on the radio, edited for presentation, or placed on your
Web site? In audio recording, as well as video and digital photography,
there are small changes you can make in your equipment and technique
that will have a huge impact on the quality of your hard work. This
workshop is an opportunity to learn about the different kinds of recording
equipment available and to understand the trade-offs in different
price ranges. Participants will have an opportunity to try out equipment,
ask lots of questions, and begin to explore different ways of editing
and presenting their material. (For information on other CDS workshops
and courses, go to http://cds.aas.duke.edu/courses/conted.html.)
Date: Friday, March 30
2–5 p.m. (3 hours)
Course fee: $45
Enroll by 3/16: $35
Course ID: 10845
To register for this workshop, contact Duke Continuing Studies by
calling 919-684-6259 Monday through Friday from 8:30 a.m. to 5 p.m.
or visit the Web at:
http://www.learnmore.duke.edu/shortcourse/classsearch.asp
Liz Lindsey
is the exhibitions coordinator at the Center for Documentary Studies,
where she is in charge of the traveling exhibitions program, while
also participating in research, programming, and production work of
the CDS exhibitions program at large. A native of Spring Hill, Tennessee,
Lindsey holds a B.A. in English from Millsaps College and an M.A.
in folklore from the University of North Carolina at Chapel Hill.
She is a board member of the North Carolina Folklore Society. Recently,
she has enjoyed recording audio for the CDS Web site, producing audio
for a CDS traveling exhibit, and recording and editing personal audio.
A native of western North Carolina, April
Walton is the learning outreach coordinator
at the Center for Documentary Studies. Her favorite part of the job
is connecting people passionate about a project with the resources
that will enable them to bring it to life. She is the producer/director
of Standing at the Crossroads,
a video documentary about sustainable farming in North Carolina. Walton
is a freelance video producer and a board member for Student Action
with Farmworkers.
Fresh Docs
On a regular basis, the Center for Documentary Studies and the Southern
Documentary Fund invite documentary artists to share their work in
progress with an enthusiastic and supportive audience. In this way,
Fresh Docs is an ongoing conversation about documentary work in its
many forms. A happy-hour gathering, Docudropby4fun, starts at 6:30
p.m. Fresh Docs presentations begin at 7:30 p.m., followed by a moderated
conversation about the work. (For more info about Fresh Docs, go to
http://cds.aas.duke.edu/events/freshdocsoverview.html.)
Friday, March 30, 7:30 p.m.
The Silver Rights Movement
by Neil Williams
This Side of the River
by Ryan Rowe and Drew Grimes
The Silver Rights Movement explores the legacy of Durham’s Black
Wall Street and Hayti district as a backdrop for examining current
economic disparities affecting African Americans across the nation.
Why has black business ownership lagged? What insight does Durham’s
unique business history provide for today’s entrepreneurs? Drawing
on original interviews, location filming, scholarly research, and
archival records of black entrepreneurship, The Silver Rights Movement
is intended to spark debate on the economic history and current conditions
of African Americans in this country.
Neil Williams
is a 2006 graduate of Duke University, where he majored in public
policy with an economics minor and certificate in film. He was a recipient
of Duke’s prestigious Benenson Art Award, the Hal Kammerer Video
Production Award, and a 2006 Full Frame Fellowship. In 2004 his two-minute
film “Super Size Me and Copyright Law” was a finalist
in the international Duke Law/Full Frame Moving Image Contest. His
production company, CrequeVision Entertainment, has produced shorts
for the Black Student Alliance at Duke, Delta Sigma Theta Sorority
Inc., Kappa Alpha Psi Fraternity Inc., and Duke’s Cable 13.
This Side of the River: Self-Determination
and Survival in the Oldest Black Town in America
incorporates interviews with residents and historians to tell the
story of Princeville, North Carolina. Settled by freed slaves in 1865,
Princeville was the first town in the United States incorporated by
African Americans (1885). The story of Princeville’s survival
through racial prejudice, economic hardship, and near-permanent destruction
by the flood from Hurricane Floyd in 1999 is an important and previously
untold piece of American history. This is a story of African people
proudly transforming the discarded land of their captors into a safe
haven for resistance and self-expression. Within an ever-changing
Southern black identity, the people of Princeville demonstrated communal
support through religious, political, and economic self-determination.
Drew Grimes
is a trained social-linguist, a documentary filmmaker, and a graphic
designer who lives in Raleigh, North Carolina, and is currently working
on history museum installations. Ryan
Rowe is a trained social-linguist, a
documentary filmmaker, and a graphic designer who lives in Raleigh,
North Carolina, and is currently working in violence prevention and
public education reform.

banner image:
Professor Alex Harris during a slide lecture accompanying the fall
2003 exhibition, Walker Evans
at 100. Photograph by Christopher Sims.
Center for Documentary Studies
1317 W. Pettigrew Street
Durham, NC 27705
telephone: (919) 660-3663
fax: (919) 681-7600
email: docstudies@duke.edu
See: directions to the Center for Documentary
Studies
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