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Larry Schwarm's Prairie Fire Series Wins First Book
Prize in Photography
Inaugural Competition Draws Nearly Five Hundred
Entries
Kansas-based photographer Larry Schwarm
has been selected to receive the inaugural Center for Documentary Studies/Honickman
Foundation First Book Prize in Photography for his series of color images
capturing the dramatic prairie fires that sweep across the vast grasslands
of his native state each spring.
Renowned photographer and writer Robert Adams was the prizes inaugural
judge. "Larry Schwarms photographs of fire on the prairie
are so compelling that I cannot imagine any later photographer trying
to do better," said Adams. "His pictures convince us that
seemingly far away events are close by, relevant to any serious persons
life."
Schwarm "engages our attention first by heightening our amazement
at the sensuality of fire," Adams continued. "Most of us have
enjoyed looking into a fireplace, but few of us have observed as well
as he has the astonishing shapes and colors and fluidity of fire. He
is so skilled in recording its appearance that occasionally we almost
hear the burning and feel the warmth."
Schwarm will receive a grant of $3,000,
publication of a book of photography, and inclusion in an exhibition of prizewinners. Adams will write the introduction for the book, which will
be published in fall 2003 by Duke University Press in association with
Lyndhurst Books of the Center for Documentary Studies.
Schwarm, a photography teacher at Emporia State University, first started
making photographs about thirty years ago, when he was an undergraduate
at the University of Kansas. He has widely exhibited his photographs
of the Kansas landscape, and his work is included in the collections
of a number of American museums. The collection of prairie fire photographs
released this fall will be his first book.
"My photographs are made on the largest remaining expanse of North
American tallgrass prairie, the Flint Hills in east-central Kansas,"
said Schwarm. "Fire is an essential part of the prairie ecosystem.
Without fire, this prairie would have been forested. Over time, what
started as a natural phenomenon became an annual event controlled by
man."
Over the past twelve years Schwarm has taken more than one thousand
rolls of film on his prairie fire project. "It has never been my
intention to document in the strictest sense of the word, but rather
to capture every essence of the fires, which have distinct personalities
ranging from calm and lyrical to angry and raging," he says. "Working
with the formality of the square-format camera, I translate the sublime
and mystical character of the burning landscape into images that impart
sensuous and menacing distillations. I am interested in minimalist space
and the emotional power of color. Fire has a connection to our collective
unconscious. It is good and evil, soothing and terrifying, protection
and threat, destruction and rebirth."
Schwarms work was selected from close to five hundred entries
in the inaugural First Book Prize competition. Anna Kuperberg, a freelance
photographer who lives in San Francisco, received an Honorable Mention
in the competition for her photographs of children on St. Louiss
South Side. "I so much wish we could have published two books,"
Adams said, responding to Kuperbergs work.
The biennial CDS/Honickman Foundation First Book Prize competition is
open to American photographers of any age who have never published a
book-length work and who use their cameras for creative exploration,
whether it be of places, people, or communities; of the natural or social
world; of beauty at large or the lack of it; of objective or subjective
realities. The prize honors work that is visually compelling, that bears
witness, and that has integrity of purpose.
American photographers who are pursuing work of creative or social importance
have too few opportunities for support and recognition. This is especially
true when photographers are engaged in personal or in-depth projects
that do not have direct commercial appeal. While there are other sources
for grants and fellowships in photography, the chance to see a body
of work in print, as a coherent book-length work, is rare. Concerned
about this problem and recognizing their shared interests, the Center
for Documentary Studies at Duke University and The Honickman Foundation,
based in Philadelphia, came together to create this new and important
book-publication prize.
The next First Book Prize in Photography competition will be held in
2004. For more information, see the CDS Web site at http://cds.aas.duke.edu/grants/index.html.
The Center for Documentary Studies, an interdisciplinary educational
organization affiliated with Duke University, connects the arts and
humanities to documentary fieldwork, drawing upon photography, filmmaking,
oral history, folklore, and writing as catalysts for education and change.
CDS supports the active examination of contemporary society, the recognition
of collaboration as central to documentary work, and the presentation
of experiences that heighten our historical and cultural awareness.
CDS achieves this work through academic courses, research, gallery and
traveling exhibitions, annual awards, book publishing, community-based
projects, and public events.
The Honickman Foundation (THF) is dedicated to the support of
projects that promote the arts, education, health, and social change.
Embodied in this commitment is a fundamental belief in the power of
the "family unit" and in the necessity of a strong community
to support it. THF is dedicated to a variety of projects that strengthen
and bolster both individuals and families. Though of disparate substance,
what each project has in common is its creative potential. At the heart
of the mission of The Honickman Foundation is the belief that creativity
enriches contemporary society, because the arts are powerful tools for
enlightenment, equity, and empowerment, and must be encouraged to effect
social change as well as personal growth. To these ends The Honickman
Foundation invests its time and resources.
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From top to bottom:
Fire near Cassoday, Kansas, 1990.
Earth, Fire, and Water, 2-Bar Ranch, Chase County, Kansas, 1994.
Burning grass, Lyon County, Kansas, 1994.
Prairie Fire near Cottonwood Falls, Kansas, 1992.
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